It ran. After two years. And then he said: "You decide what to make. That part I cannot do."









VIZO — 鼻祖 the first one, 飛鳥 a bird taking flight. Every lecture in all six courses comes out of these books.
3D printers tied to one operating platform
Artificial nail + UV-LED curing equipment
VIZO flying-bird printing — the Gyeyeongbae is in its claims
3D objects containing CBD, amount verified
Conformal projection printing for semi-permanent tattoo and nail art
AI cannabinoid analysis · THC-Safe certification
Being filed: lacquer-impregnated whole hemp · Haeindo-haeng (one unbroken line, and filling it).
What this means for you: you are not walking around someone else's patent. Finish the course and I open mine to you — build and sell under your own name.
So we skip what AI already does. Design is finished in one day. The rest goes to the object, the delivery, and the invoice.
Turning a photograph into one unbroken line belongs here — it is design before it is a tool.
See the work → gallery.vizovizo.comThe module does not think — it carries your thought to the machine
Printed outside, then put on — never on the finger
Emptiness decides the form
Rice comes first — no cooking, no food licence
It cannot be undone — so the record comes first
Start at the cut stem — structure, not effect
Choose one. Five slides each, starting now.
customer (web) → platform → assign → engine (RIP) → module → machine
↑ │
└────────── finished photo ◄─────────────┘
Servo down = stroke starts, up = ends (M280)
On/off — and for photos the power follows the speed (M4)
Pressure pushes — pull back before you stop
Why this sells: the module sits in someone else's shop. Keep the engine out of it and your corrections stay yours — that is the part a competitor cannot copy.
One calibration sheet — measure a 100 mm line, point at the grey step you can no longer see. Two numbers, and the machine is verified
Machine × tool settings — you write the file for your own machine, not a generic one
Orders and finished photos — a person passes the work before the customer sees it
The practical: a module you will actually use — you take it home
See the work → gallery.vizovizo.com
So: a much finer line, cured layer by layer. And UV light is invisible and painless — the machine itself must see that the door is shut.
US 11,160,348 B2 (2021) — artificial nail and UV-LED curing production equipment. So you are not licensing someone else's machine. Finish, and you may build and sell it under your own name.
Fine-line design for a 14 mm canvas — and what disappears when it is printed
Curing layer by layer · adhesion · how it comes off without damage
Taking the order, checking the finished photo, packing, shipping
From the books — VIZO-DO 10 "an external organ that never leaves the hand", VIZO-DO 11 "the average misleads"
When a job finishes we ask whether the picture may stay. No answer — it goes. And if the sensor fails to read, the door counts as open.
Clay, fire and time — and one cup that teaches a rule you can hold.
See the work → gallery.vizovizo.comAnd the hard part is not starting. It is stopping — pressure stays in the barrel, so you pull back before you stop.
Left — the moment it passes the critical level and loses everything, not a little. Right — the same cup being pushed out of clay. The cup is in the claims of KR 10-2694442 (VIZO flying-bird printing).
Wall thickness, overhang, and the order of the path — the order is the design
Drying and the kiln — what shrinks, what cracks, what survives
A bowl and a brand: naming it, recording how it was made, setting a price
From the books — VIZO-ROAD 10, shaping a Gyeyeongbae in Pocheon and watching your own greed
See the work → gallery.vizovizo.com
So you print what must survive first. Coffee pushes 0.0218 per millimetre; chocolate sets by cooling; syrup never sets at all.
US 12,179,433 · JP 7,398,820 — printing food and cosmetics that contain CBD, keeping the amount each country allows and verifying it. Authentication · notification · record, built in.
Surface and timing — what sinks, what spreads, what holds
Food-safe materials, and every part that touches paste must come apart and be washed
Labelling what is inside — amount, source, and the record behind it
From the books — VIZO-ROAD 14, printing on makgeolli in Ganghwa and Andong
Printed outside and then applied — we do not pierce the skin and we do not draw on the skin.
And before anyone learns how to make it, they learn what is allowed.
| Silver nitrate (AgNO₃) | |
|---|---|
| Korea | Not banned, not restricted. No concentration limit is set at all |
| EU | Reg. (EC) 1223/2009 Annex III no. 48 — eyelash/eyebrow only, max 4%, warning required |
| USA | 21 CFR 73.2550 — eyebrow/eyelash only, ≤4%, professional use, not under 16, rinse within a minute |
Our rule: where they differ, we meet the strictest of the three — including at home, where nobody would check.
The same shape as KR 10-2931064, our THC-Safe certification patent — the habit of proving, moved to another material.
Korea · EU · USA compared ingredient by ingredient — and where they differ, take the strictest
Fine lines on a flexible film · adhesion · removal · how long it should last
The written page is graded as strictly as the design
We rehearse the hardest sentence in the trade: "I will not make that."
And the record is written before the work. A record written afterwards is not a record — it is a story.
Keep the hollow tube inside the stem, push raw lacquer in under vacuum and pressure, mix with hurd and lime. Growing and extraction belong to HEMP ACADEMY, not here.
Together: batch tested → process recorded → material numbered → stored carbon verified. A material you can prove is worth more than the same material you cannot.
Identifying the part, and proving it — before anything else
Impregnation · mixing with lime · steaming and setting — the setting time is the making time
The record chain, end to end — and what happens to it after the product's life
From the books — VIZO-ROAD 8: the cut stem is nature's own 3D printing
Drawn from three books — VIZO-DO · VIZO-ROAD · VIZO-LOG
The five are chosen in conversation — a child gets lectures where the hands move first; a veteran gets the ones that ask why
One lecture opens at a time. Open the next and the previous closes — you cannot skim through
We do not ask your age, your schooling or your career
A picture from pins and one thread
Draw by dropping and lifting a pen
The same order, carried by light
The screen being right does not mean the object is right. No error appeared. Nothing was logged.
Do not assume — look at the back panel. Thirty seconds
Use a ruler — trust the object, not the screen
Suspect the quiet failure — no error does not mean it worked
Compare before you overwrite — the one in the field may be newer
Decide where to compute by asking whose shop the machine sits in
Do not fight a constraint — move the design toward where it points
That file is the asset: what a 100 mm line really measures on your machine, how far to lift the contrast on your material. Time you spent with a ruler in your hand.
Anyone can use them — learning them makes you the same as everyone
You may learn it, but you cannot use it
Bolt onto what exists, choose your own material, sell under your own name
| Until registered | A certificate of completion, which becomes the qualification at no extra cost |
|---|---|
| Exam | Five written subjects — the first is designing the feeling, the fifth is delivering the work, keeping records, labelling by material — and one practical: your module |
| Ateliers | Five at home, five abroad — real places with real machines, so nobody wrestles alone |
| Three schools | HEMP ACADEMY (regulation) · VIZO AI Institute (make it and sell it) · VIZO ART School (alone, for love of it) |
A workshop with an idle machine — or you make well and never sell
You know what you want to make before you have the hand skill
If you stepped back from machines, this is where the translating happens
Read one book — any of DO, ROAD or LOG
Leave an email to be told when it opens — nothing is charged now
Touch a tool, and look at the gallery — both are open today
Not buying a printer — waking the machine that is already there, with your own material, under your own name.